Red Epic Weapon

weapon

RED anuncia en su nuevo upgrade de sensor: Red Weapon

La nueva Red Epic Weapon ya esta disponible para alquiler en Exodo Rental !

 

Características

La nueva Red Weapon puede rodar a una gran variedad de resoluciones incluyendo 6K, 5K, 4k entre muchas otras. En la próxima actualización se podrá grabar a 8K “vista Vision” (8,192 x 4,320). Entre otras novedades se encuentra la posibilidad de grabar Apple ProRes simultáneamente al RAW R3D de siempre. Las nuevas conexiones sin necesidad de cables (cableless) y el nuevo diseño del cuerpo de cámara que se denomina junto a sus accesorios DSCM2. No esperes mas y ven a probar la nueva Red Weapon Dragon, ya nos han llegado 3 unidades y estamos realizando pruebas con ópticas esféricas y anamórficas. No dejes de visitar las secciones de Paquetes Completos para poder ver las configuraciones que hemos montado para tu rodaje.

WEAPON 6K (CARBON FIBER)

SENSOR

SENSOR TYPE RED DRAGON® 19.4 Megapixel CMOS
EFFECTIVE PIXELS 6144 (h) x 3160 (v)
SENSOR SIZE 6144 (h) x 3160 (v)
DYNAMIC RANGE 16.5+ stops
SIGNAL-TO-NOISE-RATIO 80 dB

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RECORDING

MAX DATA RATES Up to 300 MB/s using RED MINI-MAG® (512GB & 1TB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
MAX FRAME RATES 1 75 fps at 6K Full Frame (6144 x 3160) and 9:1 REDCODE
100 fps at 6K 2.4:1 (6144 x 2592) and 9:1 REDCODE
96 fps at 5K Full Frame (5120 x 2700) and 8:1 REDCODE
120 fps at 5K 2.4:1 (5120 x 2160) and 8:1 REDCODE
100 fps at 4.5K Full Frame (4608 x 2412) and 7:1 REDCODE
120 fps at 4.5K 2.4:1 (4608 x 1944) and 7:1 REDCODE
120 fps at 4K Full Frame (4096 x 2160) and 6:1 REDCODE
150 fps at 4K 2.4:1 (4096 x 1728) and 9:1 REDCODE
150 fps at 3K Full Frame (3072 x 1620) and 5:1 REDCODE
200 fps at 3K 2.4:1 (3072 x 1296) and 5:1 REDCODE
240 fps at 2K Full Frame (2048 x 1080) and 4:1 REDCODE
300 fps at 2K 2.4:1 (2048 x 864) and 4:1 REDCODE

PLAYBACK FRAME RATES
(PROJECT TIMEBASE) 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE® SETTINGS
RANGE FROM 2:1 UP TO 22:1 1 3:1 REDCODE for 6K (6144 x 3160) at 24 fps
7:1 REDCODE for 6K (6144 x 3160) at 60 fps
2:1 REDCODE for 5K (5120 x 2700) at 24 fps
5:1 REDCODE for 5K (5120 x 2700) at 60 fps
2:1 REDCODE for 4K (4096 x 2160) at 24 fps
3:1 REDCODE for 4K (4096 x 2160) at 60 fps

REDCODE RAW
ACQUISITION FORMATS 2 6K Full Frame (6144 x 3160), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
5K Full Frame (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4.5K Full Frame (4608 x 2412), 2:1, 2.4:1, 16:9, 3:2, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Frame (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Frame (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Frame (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORES Apple ProRes 422 HQ up to 4K (4096 × 2160) and up to 29.97 fps
Apple ProRes 422 up to 4K (4096 × 2160) and up to 29.97 fps
Apple ProRes 422 LT up to 4K (4096 × 2160) and up to 29.97 fps
Apple ProRes 4444 XQ up to 2K (2048 × 1080) and up to 120 fps
Apple ProRes 4444 up to 2K (2048 × 1080) and up to 120 fps
Apple ProRes 422 HQ up to 2K (2048 × 1080) and up to 120 fps
Apple ProRes 422 up to 2K (2048 × 1080) and up to 120 fps
Apple ProRes 422 LT up to 2K (2048 × 1080) and up to 120 fps

GENERAL

CONSTRUCTION Carbon Fiber, Magnesium, and Aluminum Alloy
WEIGHT 3.3 lbs (BRAIN® with Integrated Media Bay)
OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)

FEATURES

COLOR MANAGEMENT Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2™ expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
AUDIO Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROL Integrated REDLINK® WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOR OUTPUTS 3G-SDI (HD-SDI) and HDMI® with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI Only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF® (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO® Adaptor A and LCD/EVF cable.

SOFTWARE

REDCINE-X PRO®
DELIVERY FORMATS 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime®, JPEG, AVID® AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE
COMPATIBILITY 3 Adobe® Premiere® Pro, Avid® Media Composer®
DaVinci Resolve®, Edius Pro®, Final Cut Pro®, Vegas Pro®

WEAPON 6K (MAGNESIUM)

SENSOR

SENSOR TYPE RED DRAGON® 19.4 Megapixel CMOS
EFFECTIVE PIXELS 6144 (h) x 3160 (v)
SENSOR SIZE 6144 (h) x 3160 (v)
DYNAMIC RANGE 16.5+ stops
SIGNAL-TO-NOISE-RATIO 80 dB

RECORDING

MAX DATA RATES Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
MAX FRAME RATES 1 75 fps at 6K Full Frame (6144 x 3160) and 11:1 REDCODE
100 fps at 6K 2.4:1 (6144 x 2592) and 12:1 REDCODE
96 fps at 5K Full Frame (5120 x 2700) and 10:1 REDCODE
120 fps at 5K 2.4:1 (5120 x 2160) and 10:1 REDCODE
100 fps at 4.5K Full Frame (4608 x 2412) and 9:1 REDCODE
120 fps at 4.5K 2.4:1 (4608 x 1944) and 9:1 REDCODE
120 fps at 4K Full Frame (4096 x 2160) and 8:1 REDCODE
150 fps at 4K 2.4:1 (4096 x 1728) and 9:1 REDCODE
150 fps at 3K Full Frame (3072 x 1620) and 6:1 REDCODE
200 fps at 3K 2.4:1 (3072 x 1296) and 7:1 REDCODE
240 fps at 2K Full Frame (2048 x 1080) and 5:1 REDCODE
300 fps at 2K 2.4:1 (2048 x 864) and 5:1 REDCODE

PLAYBACK FRAME RATES
(PROJECT TIMEBASE) 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE® SETTINGS
RANGE FROM 2:1 UP TO 22:1 1 4:1 REDCODE for 6K (6144 x 3160) at 24 fps
9:1 REDCODE for 6K (6144 x 3160) at 60 fps
3:1 REDCODE for 5K (5120 x 2700) at 24 fps
7:1 REDCODE for 5K (5120 x 2700) at 60 fps
2:1 REDCODE for 4K (4096 x 2160) at 24 fps
4:1 REDCODE for 4K (4096 x 2160) at 60 fps

REDCODE RAW
ACQUISITION FORMATS 2 6K Full Frame (6144 x 3160), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
5K Full Frame (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4.5K Full Frame (4608 x 2412), 2:1, 2.4:1, 16:9, 3:2, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Frame (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Frame (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Frame (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORES Apple ProRes 4444 XQ up to 2K (2048 × 1080) and up to 60 fps
Apple ProRes 4444 up to 2K (2048 × 1080) and up to 60 fps
Apple ProRes 422 HQ up to 2K (2048 × 1080) and up to 60 fps
Apple ProRes 422 up to 2K (2048 × 1080) and up to 60 fps
Apple ProRes 422 LT up to 2K (2048 × 1080) and up to 60 fps

GENERAL

CONSTRUCTION Magnesium and Aluminum Alloy
WEIGHT 3.35 lbs (BRAIN® with Integrated Media Bay)
OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)

FEATURES

COLOR MANAGEMENT Supports 17×17×17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
AUDIO Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROL Integrated REDLINK® WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOR OUTPUTS 3G-SDI (HD-SDI) and HDMI® with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI Only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF® (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO® Adaptor A and LCD/EVF cable.

SOFTWARE

REDCINE-X PRO®
DELIVERY FORMATS 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime®, JPEG, AVID® AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE
COMPATIBILITY 3 Adobe® Premiere® Pro, Avid® Media Composer®
DaVinci Resolve®, Edius Pro®, Final Cut Pro®, Vegas Pro®