Arri Amira Premium

Alquiler de Arri Amira: Una cámara diseñada para trabajar sin ayudante y con la ergonomía como uno de sus puntos fuertes. Arri opta por la simplicidad: una cámara que solo graba 2k y que tampoco graba raw, pero que ha gustado mucho por sus sencillez y porque parece que pone el necesario sentido común en el diseño de una cámara.

Alquiler Arri Amira en Madrid y Barcelona. con los mejores descuentos y las configuraciones de paquete más completas del mercado. Aprovecha esta y otras muchas ofertas que tenemos preparadas para ti.

Medidas – Peso

Toda la información de transporte

Cámara & accesorios

Medidas de cámara 30x13x14 Cm
Peso del cuerpo 4.1 Kg
Peso de accesorios 3,2 Kg
Peso total 7,3 Kg
Peso de batería Varias disponibles
Material Aleación metálica

Maleta de transporte

Medidas externas 55,5x22x35,5 Cm
Modelo Pelicase 1510
Peso 14,2 Kg
Candado Combinación 4 números
Ruedas Si
Material Polímero rígido de alta resistencia

Precio de los envíos

Consultar Península (Lunes a Viernes)
Consultar Península (Sábado)
Consultar Islas Baleares
Consultar Islas Canarias
Consultar Portugal
Consultar Europa occidental
Servicio Estos precios reflejan el coste del servicio con entrega hasta las 19 horas
Servicios urgentes Consultar

¿ Permitida como equipaje de cabina de avión ?

Si

Te podemos entregar una maleta especial

Medidas

Las medidas se ajustarán a la normativa

Peso

Puede sobrepasar los 10 Kg normalmente permitidos

Confirma

Ponte en contacto con la aerolínea para asegurarte

Baterías

Las baterías de Ion Litio tienen regulación especial

Baterías especiales

Ofrecemos baterías ajustadas a la normativa vigente

¿ Ruedas ?

Si prefieres una maleta con ruedas, avísanos
Rayos X Normalmente el equipo no sufre percances

¿Qué esta incluído en el Alquiler de Arri Amira ?

Accesorios básicos – Examina los detalles

Cámara
Cuerpo de cámara
Montura PL & EF
Visor
Visor EVF Arri MVF-1
Cables 2 unidades (1 de repuesto)
Soporte de visor Arri MVB-1
Media
Media 4 x Tarjetas Sandisk CFast 2.0 de 128 Gigas
Lector 2 x Lectores Lexar con cable USB3.0
Opcional Tarjetas Lexar CFast 2.0 de 256Gigas
Rail
Placas de cámara Bridge plate BP-8 y Bridge plate BP-3
Placas auxiliares 2 x Placa adaptadora MAP-2
Placa adaptadora 1 x Placa adaptadora BP-4
Otros Asa superior CCH-2
Otros
Tubos  2 x 19mm + 2 x 15mm
Alimentación
Placa de baterías Bebob adaptador de baterías V-mount
Puertos de alimentación 2 x Puertos Lemo 2 pines (AUX)
Otros Placa adaptadora de baterias BAP-1
Licencias
Licencias  Advanced & Premium
Licencias disponibles Las Amira se entregan siempre Premium
Detalles técnicos Visita el apartado técnico mas abajo
Opcionales
Baterías Bebob V-mount Cargador Bebob doble simultáneo
Alimentador 220 AC Monitor Arri Transvideo
Soporte largo de lupa Tarjetas Lexar de 256 Gigas
Splitter Dtap x4 desde Lemo 2 pine Mando de foco inalámbrico WC4
Jaula para Drone o Gimbal Mini adapter MAP-1 + 2 x MSB-1

Descargas & Info

Alquiler de Arri Amira: En esta sección reunimos toda la información relevante de la Arri Amira. Encontrarás los link del fabricante Arri, manuales de usuario, aplicaciones móviles, aplicaciones para ordenador de sobremesa, vídeos y consejos que te resultarán muy útiles. Por favor, lee la documentación detenidamente para saber si está cámara cumple con las necesidades tu tu proyecto. Gracias !

Información técnica – Alquiler de Arri Amira

Resumen
Sensor Type 35mm format ARRI ALEV III CMOS (28.17×18.13)
Sensor Pixel Count 3200×1800 (4K UHD, 3.2K) 2880 x 1620 (HD), 2868 x 1612 (2K), for monitoring with surround area: 3168 x 1772 (HD), 3154×1764 (2K), 3414 x 2198 (4K UHD, 3.2K)
Recording Pixel Count 1920×1080 ProRes HD and HD outputs, 2048 x 1152 ProRes 2K, 3200×1800 ProRes 3.2K, 3840 x 2160 Pro Res 4K UHD and UHD outputs*
Lens Mounts PL mount w/ Hirose connector and LDS, B4 mount w/ Hirose connector, EF mount, PL mount titan (ALEXA Mini)
Shutter Electronic shutter, 5.0° to 356.0°
Exposure Index EI 160 to EI 3200 (EI 800 base sensitivity)
Exposure Latitude 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Licencias

AMIRA License Options


The economical
 – AMIRA CAMERA SET
Features include: HD 1080i and 1080p; 0.75-100 fps; ProRes 422 and 422 (LT) recording in Rec 709; three looks; adjustable in-camera image parameters for knee, gamma and saturation; peaking for focus control; zebra and false color for exposure control.

The all-rounder – AMIRA ADVANCED
Features additional to the economical AMIRA set: 100-200 fps; ProRes 422 (HQ) recording; Log C; unlimited look functions; import looks; ASC CDL in-camera grading; dynamic auto-tracking white balance; WiFi remote control; Bluetooth audio monitoring; pre-record function.

The all-inclusive – AMIRA PREMIUM
Features additional to the AMIRA Advanced: 2K (2048 x 1152) and ProRes 4444 recording; import custom 3D LUTs.

Product AMIRA AMIRA Advanced AMIRA Premium
Recording Formats HD 1920×1080 (interlaced&progressive)
4K UHD 3840×2160*
HD 1920×1080 (interlaced&progressive)
4K UHD 3840×2160*
HD 1920×1080 (interlaced&progressive),
2K 2048×1152,
4K UHD 3840×2160*
Recording Framerates 0,75 – 100 Fps (progressive)
0,75 – 60 Fps with 4K UHD*
0,75 – 200 Fps (progressive)
0,75 – 60 Fps with 4K UHD*
0,75 – 200 Fps (progressive)
0,75 – 60 Fps with 4K UHD*
Recording Codecs
(w/ embedded audio & metadata)
ProRes
422
422 (LT)
ProRes
422 (HQ)
422
422 (LT)
ProRes
4444
422 (HQ)
422
422 (LT)
Rec 709 / Log C Rec709 Rec709 & Log C Rec709 & Log C
Looks 3 fix Looks
(in camera adjustable)
Complete Look functions;
import Looks
Complete Look functions;
import Looks
Adjustable image parameters Knee, Gamma, Saturation, Black Gamma, Saturation by Hue Knee, Gamma, Saturation, Black Gamma, Saturation by Hue ASC CDL parameter (Slope, Offset, Power, Saturation) Knee, Gamma, Saturation, Black Gamma, Saturation by Hue ASC CDL parameter (Slope, Offset, Power, Saturation)
Import of custom 3D LUTs Import of custom 3D LUTs
Focus and exposure control Peaking, Zebra, False color Peaking, Zebra, False color Peaking, Zebra, False color
Whitebalance Auto WB Auto WB, Dynamic auto tracking WB Auto WB, Dynamic auto tracking WB
Camera remote control* Wifi and Ethernet Camera remote control Wifi and Ethernet Camera remote control
Audio monitoring Headphone output
(mini jack)
Headphone output (mini jack), Bluetooth audio monitoring Headphone output (mini jack), Bluetooth audio monitoring
Pre Record function Pre Record function Pre Record function

* Requires installed 4K UHD license
** Will be supported with later SUP
Características
Products AMIRA Premium
Sensor Type 35mm format ARRI ALEV III CMOS (28.17×18.13)
Sensor Pixel Count 3200×1800 (4K UHD, 3.2K) 2880 x 1620 (HD), 2868 x 1612 (2K), for monitoring with surround area: 3168 x 1772 (HD), 3154×1764 (2K), 3414 x 2198 (4K UHD, 3.2K)
Recording Pixel Count 1920×1080 ProRes HD and HD outputs, 2048 x 1152 ProRes 2K, 3200×1800 ProRes 3.2K, 3840 x 2160 Pro Res 4K UHD and UHD outputs*
Lens Mounts PL mount w/ Hirose connector and LDS, B4 mount w/ Hirose connector, EF mount, PL mount titan (ALEXA Mini)
Shutter Electronic shutter, 5.0° to 356.0°
Exposure Index EI 160 to EI 3200 (EI 800 base sensitivity)
Exposure Latitude 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
Audio Recording 4 channels, 24 bit PCM, 48 kHz
Integrated motorized ND Filters FSND 0.6, 1.2, 2.1
Sound Level < 20 dB(A)
Weight ~ 4.1 kg/9.2 lbs (camera body with PL Lens mount)
Dimensions Length: 309mm/12.1″, width: 139 mm/5.4″ , height: 149mm/5.8″ (camera body with PL lens mount)
Environmental -20° C to +50° C (-4° F to +122° F)
Viewfinder AMIRA Multi Viewfinder MVF-1 (OLED and LCD)
Outputs Video 2x HD-SDI outputs: 1.5G, 3G and 6G; uncompressed HD/UHD video with embedded audio and metadata***
Outputs Audio 3,5mm headphone jack, Bluetooth audio
Outputs Power Hirose 12pin (for ENG type zoom lenses); 12V: D-tab, Hirose 4pin, Lemo 2pin; 24V: RS 3pin
Inputs Genlock, HD-SDI**, Timecode (In and Output), all BNC
Other Interfaces USB 2.0: For importing and storing AMIRA Look Files, user set up files, frame line files and feature license keys. Stores captured still image formats in DPX (.dpx, 10 bit) or JPEG (.jpg, 8 bit) format. Stores log files. Also used for installing Software Update Packets (SUPs.; Ethernet LAN RJ-45 for camera remote control.
Recording Media CFast 2.0 memory cards
Recording Formats HD 1920×1080 (interlaced & progressive),
2K 2048×1152,
3.2K ProRes 3200×1800*
4K UHD 3840×2160*
Recording Framerates 0,75 – 200 Fps (progressive) HD, 2K
0,75 – 60 Fps 4K UHD & 3.2K*
0,75 – 120 Fps HD, 2K in ProRes 4444 XQ
0,75 – 30 Fps 4K UHD & 3.2K* in ProRes 4444 XQ
MPEG-2: 23.98p, 25p, 29.97p, 50i, 59.94i
Recording Codecs (w/ embedded audio & metadata) ProRes
ProRes 4444 XQ
ProRes 4444
422 HQ
422
422 LT
MPEG-2
Rec709/LogC Rec709
Looks Complete Look functions; import Looks
Adjustable image parameters Knee, Gamma, Saturation, Black Gamma, Saturation by Hue
ASC CDL parameter (Slope, Offset, Power, Saturation)
Import of custom 3D LUTs Import of custom 3D LUTs
Focus and exposure control Peaking, Zebra, False color
Whitebalance Auto WB, Dynamic auto tracking WB
Wifi and Ethernet Camera Remote Control Wifi and Ethernet Camera remote control
Audio monitoring Headphone output (mini jack)Headphone output (mini jack), Bluetooth audio monitoring
Pre Record function Pre Record function
Intervalometer Intervalometer
Multicam interface Multicam interface
S16 lens mode S16 lens mode
* Requires installed 4K UHD license
** not available in 4K UHD mode
*** embedded audio only in 1,5G and 3G
Accesorios
FPS
Recording Framerates 0,75 – 200 Fps (progressive) HD, 2K
0,75 – 60 Fps 4K UHD & 3.2K*
0,75 – 120 Fps HD, 2K in ProRes 4444 XQ
0,75 – 30 Fps 4K UHD & 3.2K* in ProRes 4444 XQ
MPEG-2: 23.98p, 25p, 29.97p, 50i, 59.94i
Detalles

AMIRA Premium Features

Pre-record function
Crucial for wildlife filmmakers, the pre-record function uses an internal buffer in the camera to perpetually record a loop, the length of which depends on what options are selected. When the REC button is hit, the clip recorded to the CFast 2.0 card will include the specified pre-record period at its start.
Bluetooth audio monitoring
This allows the camera operator, or anyone else on set, to monitor audio through wireless Bluetooth headphones. In addition, by using a microphone-equipped Bluetooth headset, spoken comments can be recorded during filming to provide notation or guidance for editing and other postproduction tasks. These comments are recorded to a fifth audio track, aligned with the four main audio tracks, but kept separate from them.
Dynamic auto tracking white balance
For situations that involve a change of color temperature during a shot, such as when a character is followed from a tungsten interior to a daylight exterior, the new dynamic tracking option makes an automatic white balance adjustment. By using a sophisticated algorithm developed by ARRI, this adjustment is seamless and undetectable even for the most extreme color temperature transitions.

Wifi* and Ethernet remote
allows the graphical user interface (GUI) on AMIRA’s LCD panel to be displayed live on a device, such as a smartphone, tablet or laptop, that is connected to the camera via Wifi* connection or an Ethernet cable. The user interface exactly replicates the camera’s home screen menu, much like the AMIRA Simulator web tool.

EF and B4 lens support
With the EF mount, AMIRA users can benefit from the huge range of available EF mount stills lenses, electronically controlling the iris in these lenses through the camera’s user interface. B4-type lenses with an integrated servo module gain support for the auto iris function, while one other servo button can also be used as an assignable user button..

Fast boot-up time – AMIRA boots up in about 13 seconds.

Color bar – a color bar is used mainly to judge the colorimetry of the monitor displaying the camera output.

Waveform display –a further tool for judging exposure levels.

Enhanced HD-SDI outputs
AMIRA’s HD-SDI outputs allow the overlay of information about timecode and other parameters that is seen in the viewfinder, to also be seen on monitors. Additionally, it is also possible to use an HD-SDI signal input as a further ‘genlock-like’ sync option.

LDS functionality
ARRI’s Lens Data System® (LDS) comprises a range of products generating highly accurate lens metadata for use on set and in post. When using an LDS lens on AMIRA’s LDS mount, lens data about iris, focus and zoom positions is visible in the viewfinder and all lens data will be embedded in the recorded QuickTime files.

* Will be supported with later SUP

Videos & Tutoriales

  • 4K

  • 16:9

  • PL & EF

  • ProRes 4444

  • 4.1 Kg

  • 200 FPS

  • WiFi